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- CRITICS' VOICES, Page 28
-
-
- ART
-
- CANALETTO, Metropolitan Museum of Art, New York City. In
- Canaletto one sees Venice, and vice versa, since the artist's
- luminous, teeming canvases have for two centuries defined the
- city's great vistas and waterways in the public imagination.
- Through Jan. 21.
-
- FREDERIC EDWIN CHURCH, National Gallery of Art, Washington.
- The aptly named Church (1826-1900) created vast landscapes
- expressing the spiritual awe Americans once felt before their
- new continent as nature's cathedral, a vision of earthly
- paradise. Through Jan. 28.
-
- TELEVISION
-
- DINNER AT EIGHT (TNT, Dec. 11, 8 p.m. EST). Ted Turner
- isn't content with resurrecting old MGM classics on his newest
- cable channel; he is remaking them as well. Lauren Bacall, Ellen
- Greene and Harry Hamlin dine at the table where Marie Dressler,
- Jean Harlow and John Barrymore once sat.
-
- BEAUTY AND THE BEAST (CBS, Dec. 12, 9 p.m. EST). This
- literate fantasy series about a sensitive monster living beneath
- the streets of New York City was scuttled by low ratings. But
- it is back with a twist: the eponymous beauty, played by Linda
- Hamilton, is kidnaped and killed. Anyone got a new title?
-
- MOVIES
-
- HARLEM NIGHTS. Making his directing debut, Eddie Murphy
- can't seem to decide whether to go for laughs or melodrama. His
- movie about the great Harlem nightclubs that flourished in the
- '30s generates a lot of foul-mouthed noise but only fitful,
- murky light.
-
- THE LITTLE MERMAID. You could wish upon a star and not
- conjure up a more joyous animated movie than this graceful
- retelling of the Hans Christian Andersen tale. In 82 minutes,
- it reclaims the movie house as a dream palace and the big screen
- as a window into enchantment.
-
- MUSIC
-
- WARREN ZEVON: TRANSVERSE CITY (Virgin). The nastiest and
- least predictable of the California singer-songwriters opens
- hard with a dour, futuristic suite of three tunes inspired by
- cyberpunk sci-fi, then draws his usual fine satiric bead on a
- range of subjects from perestroika to malling.
-
- THE GIPSY KINGS: MOSAIQUE (Elektra). Overbearing ethnic
- melodies from a group that had one of last year's fluke
- successes. If the Kings started toward your table in a
- restaurant, fiddling madly, you'd pay the maitre d' twice the
- price of this album to keep them away.
-
- BOOKS
-
- SPY LINE by Len Deighton (Knopf; $18.95). When the Berlin
- Wall came tumbling down, it landed on Deighton, who was caught
- in mid-trilogy about a British agent in the divided city whose
- wife has left him to set up her own spy shop on the east side
- of the Wall. A competent thriller that seems just a little
- quaint.
-
- TRUST by George V. Higgins (Henry Holt; $18.95). Another
- installment of petty schemers and low-life banter for Higgins
- fans, but other readers will feel it takes far too long for the
- protagonist, a crooked used-car salesman, to get his
- comeuppance.
-
- THEATER
-
- THE CIRCLE. Rex Harrison, 81, gives an elegantly
- understated turn in Somerset Maugham's beguiling Broadway comedy
- of marital scandal and autumnal passion. Stewart Granger and
- Glynis Johns co-star.
-
- THE PIANO LESSON. August Wilson's Broadway-bound drama, at
- Washington's Kennedy Center, is the finest work yet from the
- foremost active American playwright, a heart-rending family
- debate over how to deal with the legacy of slavery.
-
- ETC.
-
- TONY WALTON: DESIGNING FOR STAGE AND SCREEN. Dozens of
- intricate models by designer Tony Walton are on view at New
- York City's American Museum of the Moving Image. Triple-threat
- Walton has an Oscar, two Tonys and an Emmy for his work in film,
- theater and television. Whether creating a gleaming
- silver-and-white Deco hotel room for Lend Me a Tenor or a ship
- caught in The Tempest's hurricane, Walton gives life to a world
- suggested by words. Through August 1990.
-
- WINES
-
- It's often the most overhyped oenological event of the
- year. In 1989, however, the arrival of Beaujolais Nouveau -- the
- early fermented version of France's most popular red bistro wine
- -- is something to celebrate. Tart and short-lived in
- off-vintages, this year's Nouveau is fresh (as it should be),
- fruity (ditto) and surprisingly well rounded -- the best wine
- they have made, growers say, since 1985. Nouveau's good
- structure bodes well for the quality of the longer-lasting (five
- years or more), higher-priced Beaujolaises bearing such village
- names as Brouilly, Chenas, Julienas and Morgon, which will
- arrive in the U.S. in early March. Mommessin and Prosper Maufoux
- are reliable producers of Nouveau, but the IBM of the trade is
- Georges Duboeuf, whose assorted bottlings, most bearing his
- distinctive white, flower-bedecked label, sold 400,000 cases in
- the U.S. last year.
-
-